The Crucible: Introduction
Using the historical subject of the Salem Witch trials, Arthur Miller's play The Crucible (1953) presents an allegory for events in contemporary America. The Salem Witch Trials took place in Salem, Massachusetts in 1692, and were based on the accusations of a twelve-year-old girl named Anne Putnam. Putnam claimed that she had witnessed a number of Salem's residents holding black sabbaths and consorting with Satan. Based on these accusations, an English-American clergyman named Samuel Parris spearheaded the prosecution of dozens of alleged witches in the Massachusetts colony. Nineteen people were hanged and one pressed to death over the following two years.
Miller's play employs these historical events to criticize the moments in humankind's history when reason and fact became clouded by irrational fears and the desire to place the blame for society's problems on others. Dealing with elements such as false accusations, manifestations of mass hysteria, and rumor-mongering, The Crucible is seen by many as more of a commentary on "McCarthyism'' than the actual Salem trials. "McCarthyism" was the name given to a movement led by Senator Joe McCarthy and his House Committee on Un-American Activities. This movement involved the hunting down and exposing of people suspected of having communist sympathies or connections. While those found guilty in McCarthy's witch hunt were not executed, many suffered irreparable damage to their reputations. Miller himself came under suspicion during this time.
While The Crucible achieved its greatest resonance in the 1950s when McCarthy's reign of terror was still fresh in the public's mind,Miller's work has elements that have continued to provoke and enthrall audiences. That the play works on a wider allegorical level is suggested by the frequency with which it has been performed since the 1950s and by the way that it has been applied to a wide number of similar situations in different cultures and periods .
Point of View :
The Crucible is told from a third person objective point of view. The characters do not address the audience in the first person. Arthur Miller shows the audience the good and evil within people and bring out the mad hysterical qualities in a mob. He displays that even deeply religious people make mistakes in their lives. He does this through his characters who through their own imperfections and beliefs, bring the witch hunts to a complete chaos.
Miller structures The Crucible into four acts. There is some off-stage action such as John Proctors affair.
The exposition occurs at the beginning of act one where the situation is introduce. The audience finds out that the girls have been practicing witchcraft in the forest with Tituba.
The initial incident is the actual accusing of the women of witchcraft by the several girls that were in the forest. This gets the plot rolling, and everything rolls downhill from their with the townspeople reaching a complete frenzy.
The rising action is the witch hunt itself. The audience learns in subsequent acts that several women are tried and hung.
The crisis/climax is the accusing of the Proctors of witchcraft. They try to get their servant to confess what she did in the forest with the other girls, but when they come into court, she turns her back on Proctor and returns to the side of the girls. The tension continues until the trial and the speeches made before the execution.
The falling action and the denouement is the actual execution where John Proctor upholds his innocence and goes to the gallows.
Its history :
From June through September of 1692, nineteen men and women, all having been convicted of witchcraft, were carted to Gallows Hill, a barren slope near Salem Village, for hanging. Another man of over eighty years was pressed to death under heavy stones for refusing to submit to a trial on witchcraft charges. Hundreds of others faced accusations of witchcraft. Dozens languished in jail for months without trials. Then, almost as soon as it had begun, the hysteria that swept through Puritan Massachusetts ended.
Why did this travesty of justice occur? Why did it occur in Salem? Nothing about this tragedy was inevitable. Only an unfortunate combination of an ongoing frontier war, economic conditions, congregational strife, teenage boredom, and personal jealousies can account for the spiraling accusations, trials, and executions that occurred in the spring and summer of 1692.
In 1688, John Putnam, one of the most influential elders of Salem Village, invited Samuel Parris, formerly a marginally successful planter and merchant in Barbados, to preach in the Village church. A year later, after negotiations over salary, inflation adjustments, and free firewood, Parris accepted the job as Village minister.
Sometime during February of the exceptionally cold winter of 1692, young Betty Parris became strangely ill. She dashed about, dove under furniture, contorted in pain, and complained of fever. The cause of her symptoms may have been some combination of stress, asthma, guilt, boredom, child abuse, epilepsy, and delusional psychosis. The symptoms also could have been caused, as Linda Caporael argued in a 1976 article in Science magazine, by a disease called "convulsive ergotism" brought on by injesting rye--eaten as a cereal and as a common ingredient of bread--infected with ergot. (Ergot is caused by a fungus which invades developing kernels of rye grain, especially under warm and damp conditions such as existed at the time of the previous rye harvest in Salem. Convulsive ergotism causes violent fits, a crawling sensation on the skin, vomiting, choking, and--most interestingly--hallucinations. The hallucinogenic drug LSD is a dervivative of ergot.) Many of the symptoms or convulsive ergotism seem to match those attributed to Betty Parris, but there is no way of knowing with any certainty if she in fact suffered from the disease--and the theory would not explain the afflictions suffered by others in Salem later in the year.
At the time, however, there was another theory to explain the girls' symptoms. Cotton Mather had recently published a popular book, "Memorable Providences," describing the suspected witchcraft of an Irish washerwoman in Boston, and Betty's behavior in some ways mirrored that of the afflicted person described in Mather's widely read and discussed book. It was easy to believe in 1692 in Salem, with an Indian war raging less than seventy miles away (and many refugees from the war in the area) that the devil was close at hand. Sudden and violent death occupied minds.
A neighbor, Mary Sibley, proposed a form of counter magic. She told Tituba to bake a rye cake with the urine of the afflicted victim and feed the cake to a dog. ( Dogs were believed to be used by witches as agents to carry out their devilish commands.) By this time, suspicion had already begun to focus on Tituba, who had been known to tell the girls tales of omens, voodoo, and witchcraft from her native folklore. Her participation in the urine cake episode made her an even more obvious scapegoat for the inexplicable.
Meanwhile, the number of girls afflicted continued to grow, rising to seven with the addition of Ann Putnam, Elizabeth Hubbard, Susannah Sheldon, and Mary Warren. According to historian Peter Hoffer, the girls "turned themselves from a circle of friends into a gang of juvenile delinquents." ( Many people of the period complained that young people lacked the piety and sense of purpose of the founders' generation.) The girls contorted into grotesque poses, fell down into frozen postures, and complained of biting and pinching sensations. In a village where everyone believed that the devil was real, close at hand, and acted in the real world, the suspected affliction of the girls became an obsession.
The first three to be accused of witchcraft were Tituba, Sarah Good, and Sarah Osborn. Tituba was an obvious choice ; Good was a beggar and social misfit who lived wherever someone would house her and Osborn was old, quarrelsome, and had not attended church for over a year.
The matter might have ended with admonishments were it not for Tituba. After first adamantly denying any guilt, afraid perhaps of being made a scapegoat, Tituba claimed that she was approached by a tall man from Boston--obviously Satan--who sometimes appeared as a dog or a hog and who asked her to sign in his book and to do his work. Yes, Tituba declared, she was a witch, and moreover she and four other witches, including Good and Osborn, had flown through the air on their poles. She had tried to run to Reverend Parris for counsel, she said, but the devil had blocked her path. Tituba's confession succeeded in transforming her from a possible scapegoat to a central figure in the expanding prosecutions. Her confession also served to silence most skeptics, and Parris and other local ministers began witch hunting with zeal.
Soon, according to their own reports, the spectral forms of other women began attacking the afflicted girls. Martha Corey, Rebecca Nurse, Sarah Cloyce, and Mary Easty were accused of witchcraft. During a March 20 church service.
Stuck in jail with the damning testimony of the afflicted girls widely accepted, suspects began to see confession as a way to avoid the gallows. Deliverance Hobbs became the second witch to confess, admitting to pinching three of the girls at the Devil's command and flying on a pole to attend a witches' Sabbath in an open field. Jails approached capacity and the colony "teetered on the brink of chaos" when Governor Phips returned from England. Fast action, he decided, was required.
As the summer of 1692 warmed, the pace of trials picked up. Not all defendants were as disreputable as Bridget Bishop. Rebecca Nurse was a pious, respected woman whose specter, according to Ann Putnam, Jr. and Abagail Williams, attacked them in mid March of 1692 Ann Putnam, Sr. added her complaint that Nurse demanded that she sign the Devil's book, then pinched her. Nurse was one of three Towne sisters , all identified as witches.
Persons who scoffed at accusations of witchcraft risked becoming targets of accusations themselves. One man who was openly critical of the trials paid for his skepticism with his life. John Proctor, a central figure in Arthur Miller's fictionalized account of the Salem witchhunt, The Crucible, was an opinionated tavern owner who openly denounced the witchhunt. Testifying against Proctor were Ann Putnam, Abagail Williams, Indian John (a slave of Samuel Parris who worked in a competing tavern), and eighteen-year-old Elizabeth Booth, who testified that ghosts had come to her and accused Proctor of serial murder. Proctor fought back, accusing confessed witches of lying, complaining of torture, and demanding that his trial be moved to Boston. The efforts proved futile. Proctor was hanged. His wife Elizabeth, who was also convicted of witchcraft, was spared execution because of her pregnancy (reprieved "for the belly").
No execution caused more unease in Salem than that of the village's ex-minister, George Burroughs. Burroughs, who was living in Maine in 1692, was identified by several of his accusers as the ringleader of the witches.
One victim of the Salem witchhunt was not hanged, but rather pressed under heavy stones until his death. Such was the fate of octogenarian Giles Corey who, after spending five months in chains in a Salem jail with his also accused wife, had nothing but contempt for the proceedings. Three days after Corey's death, on September 22, 1692, eight more convicted witches, including Giles' wife Martha, were hanged. They were the last victims of the witchhunt.
By early autumn of 1692, Salem's lust for blood was ebbing. Doubts were developing as to how so many respectable people could be guilty.Increase Mather, the father of Cotton, published what has been called "America's first tract on evidence," a work entitled Cases of Conscience, which argued that it "were better that ten suspected witches should escape than one innocent person should be condemned."
By the time the witchhunt ended, nineteen convicted witches were executed at least four accused witches had died in prison, and one man, Giles Corey, had been pressed to death. About one to two hundred other persons were arrested and imprisoned on witchcraft charges. Two dogs were executed as suspected accomplices of witches.
Scholars have noted potentially telling differences between the accused and the accusers in Salem. Most of the accused lived to the south of, and were generally better off financially, than most of the accusers. In a number of cases, accusing families stood to gain property from the convictions of accused witches. Also, the accused and the accusers generally took opposite sides in a congregational schism that had split the Salem community before the outbreak of hysteria. While many of the accused witches supported former minister George Burroughs, the families that included the accusers had--for the most part--played leading roles in forcing Burroughs to leave Salem. The conclusion that many scholars draw from these patterns is that property disputes and congregational feuds played a major role in determining who lived, and who died, in 1692.
A period of atonement began in the colony following the release of the surviving accused witches. Samuel Sewall, one of the judges, issued a public confession of guilt and an apology. Several jurors came forward to say that they were "sadly deluded and mistaken" in their judgments. Reverend Samuel Parris conceded errors of judgment, but mostly shifted blame to others. Parris was replaced as minister of Salem village by Thomas Green, who devoted his career to putting his torn congregation back together. Governor Phips blamed the entire affair on William Stoughton. Stoughton, clearly more to blame than anyone for the tragic episode, refused to apologize or explain himself. He criticized Phips for interfering just when he was about to "clear the land" of witches. Stoughton became the next governor of Massachusetts.
The witches disappeared, but witchhunting in America did not. Each generation must learn the lessons of history or risk repeating its mistakes. Salem should warn us to think hard about how to best safeguard and improve our system of justice.
Edited by : Abdelhak , Amel and Tamara !
